The Can Factory 

The New Position In Contemporary Art

Die neue Position in der zeitgenössischen Kunst

A Nova Posição Na Arte Contemporânea



Neptun
The Can Factory, das sind Cristina de Santana und Knut Kargel, zwei Künstler, die seit 2011 zusammen arbeiten. Wir haben eher zufällig am Küchentisch entdeckt, dass das funktioniert, und seither eine eigene Technik, die "Melted Collage", entwickelt und in immer neuen Zusammenhängen eingesetzt. The Can Factory, these are actually Cristina de Santana and Knut Kargel, two artists working together since the beginning of 2011. We have discovered our own technique called "Melted Collage", developed and used in new contexts. The Can Factory, these are actually Cristina de Santana and Knut Kargel, two artists working together since the beginning of 2011. We have discovered our own technique called "Melted Collage", developed and used in new contexts.
Eine Position mit mehreren Ebenen.
Mit der Melted Collage können wir nicht nur Bilder herstellen, sondern auch Objekte, Mischformen aus Bild und Objekt, sowie kleidungsähnliche Dinge, Masken und andere Requisiten.
In Verbindung mit professioneller Fotografie und moderner Drucktechnik auf Alu-Dibond können wir auf diese Art Portraits bis zu einer Höhe von 200 cm erstellen.
A position with several levels.
With the Melted Collage, we can produce not only images but also objects, hybrid forms of image and object, as well as things like clothing, masks and other props.
In conjunction with professional photography and modern printing technology on aluminum Dibond we can create this kind of portraits to a height of 200 cm.
A position with several levels.
With the Melted Collage, we can produce not only images but also objects, hybrid forms of image and object, as well as things like clothing, masks and other props.
In conjunction with professional photography and modern printing technology on aluminum Dibond we can create this kind of portraits to a height of 200 cm.


Nymphe


Das Licht von Caravaggio und die Stofflichkeit von Velazquez vereinen sich mit den Welten von Max Ernst und den Masken von Francis Bacon zu einer völlig neuartigen Form von Portrait-Bildnis. The light of Caravaggio and the materiality of Velazquez, unite with the worlds of Max Ernst and the masks of Francis Bacon to a completely new form of portrait art. The light of Caravaggio and the materiality of Velazquez, unite with the worlds of Max Ernst and the masks of Francis Bacon to a completely new form of portrait art. A luz de Caravaggio ea materialidade de Velazquez, unir-se com os mundos de Max Ernst e as máscaras de Francis Bacon em uma forma completamente nova de arte do retrato.



The Can Factory






Earth Walk
earth walks the land
fleshed in man
maimed, coated in plastic
wounded
wondering
pondering
do you see me
children brazenly look
we be grown-ups
that have not forgotten
steal a look back
from the youth of our ages
but no one engages
but no one engages
but no one engages
but no one engages
but no one engages
but no one engages
but no one engages
[Poem by Yolantha Harrison-Pace]


Can Factory Walkact